About Center Mass and the Center Mass Universe
What is the meaning behind the music we create, and why do we do it?
Center Mass & the Center Mass Universe (CMU) use “artistification” (an expansion of “Sonification” concepts and the musical translation of scientific theory into emotion-driven sound design – to illustrate a single, evolving idea: human consciousness is already entangled with the cosmos.
Their forthcoming album, Entanglement, completes a three-record arc (Center Mass Universe → Portals → Entanglement) that sonically charts (1) awakening to extra-dimensional reality, (2) traveling through those “portals,” and (3) realizing that separation itself is an illusion.
By fusing post-rock guitars, trance propulsion, cinematic EDM, and detailed spatial engineering, CMU collapse the perceived gap between organic and electronic, science and art, listener and universe, offering music that is equally suited for deep, solitary reflection and high-energy communal spaces such as clubs, esports arenas, and sci-fi cinema.
Why these concepts are supported
1. Conceptual Continuity: From CMU, Portals to Entanglement LPs
• Center Mass Universe (2023) : Ending dimensional shift in the Center Mass Universe saga and the final stage in music and compositon developement. This release opens up the “personal” movement towards other dimensions. and worlds.
• Portals (2024) framed reality as a threshold; songs opened “gateways” to other dimensions.
• Entanglement (2025) shifts the narrative: once through the portal, the traveler discovers instant connectivity across distance. Each track dramatizes quantum principles – coherence, decoherence, superposition, locality – as emotional states.
• The album artwork (predator/prey birds locked in mirrored flight) visually reinforces the musical theme: dualities are reflections of one field, not opposites.
2. “Artistification” as Methodology
• CMU treat physics the way classical composers treated literature: as source texts for motif generation. Sonic decisions (time-signature shifts, mirrored guitar phrases, call-and-response synth lines) are guided by scientific metaphors (entangled photons, frame-of-reference changes, wave-function collapse).
• Layered stems function like subatomic particles: they coexist in superposition (ambient pads, trance arpeggios, downtuned riffs) until the listener’s attention “measures” them, causing a personal collapse into meaning.
3. Organic + Electronic = One Continuum
• Live drums, tactile string harmonics, and expressive bends supply the “earth sound.”
• Side-chained synths, binaural/Atmos beds, and granular textures supply the “cosmic texture.”
• Instead of treating these as binary poles, CMU interlock them: dual-guitar threads are mapped to stereo fields the way LFO-modulated pads are mapped to Z-depth, making hardware amps and DAW automation parts of a single ecosystem.
4. Structural Mirror-Work in “Entanglement” (Track: “Entanglement”)
• Opening: paired clean-guitar motifs = photons sharing spin.
• Lift: polyrhythms in 7/8 over a 4/4 trance grid = two observers in different inertial frames.
• Drop: metal riff meets euphoric synth lead = matter/energy duality.
• Breakdown: piano asks; atmospheres answer = nonlocal dialog.
• Finale: hook unifies earlier fragments, dramatizing wave-function collapse into shared experience.
5. Production as Spatial Philosophy
• Wide stereo “portals,” dynamic swells, and mid-song dimensional flips simulate wormholes.
• Big, club-ready low end + shimmering top end = music that can occupy both dance floors and planetarium domes.
• Binaural and Dolby Atmos versions extend the entanglement metaphor by letting sound objects exist “everywhere at once” until localized by headphones or speakers.
6. Accessibility + Depth = Broad Cultural Reach
• Hook-centric writing allows casual listeners (gamers, festival crowds) to connect instantly.
• Sub-textual complexity invites audiophiles and academics to dissect the architecture.
• Sync potential (Halo, Starcraft, trailers) proves the music’s flexibility: it can underscore either personal transcendence or competitive adrenaline without losing thematic integrity.
7. Community & Future Trajectory
• By aligning release strategy with gaming communities and sci-fi storytelling, CMU build a real-world network that mirrors the album’s message: fans far apart share a common emotional state while the track plays.
• Entanglement is positioned not as an endpoint but a revelation: once listeners internalize universal connectivity, future CMU projects can move from “how we’re connected” to “what we build together.”
Center Mass & the Center Mass Universe craft music as experiential physics. Through meticulously engineered blends of post-rock, trance, and electronica, they convert quantum theory into visceral, danceable narratives. Entanglement, their third LP, crystallizes this mission: to prove, in sound, that distance is illusion and that every riff, synth pulse, and heartbeat is part of one resonant field.
Who is Behind Center Mass and the Center Mass Universe?
CENTER MASS is a North American and Slovenian band consisting of 2 members, T. Krasovetz and Uros Brosic. Both have been creating, producing and involved with music mixing & mastering engineering to create a combined Alternative / Ambient / Trance movement in their most recent work.
How Does Center Mass Connect With The Listener and Transform the Human Spirit?
Center Mass and the Center Mass Universe's "space dance and rock" genre is an innovative and uniquely captivating blend that combines elements of both dance music and rock with a cosmic twist. Here's what sets their style apart:
1. Futuristic Sounds - Space dance and rock rely heavily on synthesizers and futuristic sound effects to evoke the vastness and mystery of outer space. These sounds create an atmospheric texture that transports listeners to another realm.
2. Danceable Rhythms - The dance component is characterized by upbeat, pulsating rhythms that encourage movement and energy. These rhythms often feature electronic beats intertwined with live drums.
3. Stellar Rock Energy- The rock influence brings a raw, energetic edge through distorted guitar riffs, powerful drumming, and intense vocals. This adds a layer of intensity and drive to the music.
4. Expansive Themes - ,Their music often explores themes of exploration, adventure, and the unknown, reflecting the band's fascination with the cosmos and science fiction.
5. Melodic Hooks - Despite the complex arrangements, they incorporate catchy melodies and hooks that stick with the listener, ensuring the music is approachable and memorable.
6. Experimental Edge- They aren't afraid to experiment with unconventional sounds and structures, pushing the boundaries of what’s traditionally expected in both dance and rock genres.
7. Harmonious Balance - A key aspect of their style is the seamless integration of dance and rock elements, achieving a balanced sound that neither overpowers nor oversimplifies the other.
Center Mass and the Center Mass Universe's space dance and rock genre offers an exhilarating musical journey that combines the infectious nature of dance music with the intensity and emotional depth of rock, all wrapped in a cosmic, otherworldly package.
WHO IS Center Mass & the Center Mass Universe?
CENTER MASS is a North American and Slovenian band consisting of 2 members, T. Krasovetz and Uros Brosic. Both have been creating, producing and involved with music mixing & mastering engineering to create a combined Alternative / Ambient / Trance movement in their most recent work. Their album titled "Center Mass Universe" is scored with instrumental songs titled, Center Mass Universe, Infinite Singularity. Time Irrelevant and Water Running, and a studio album to be released in September, 2023.
Center Mass Universe seamlessly blends moody post-rock, trance, and electronica, creating a distinctive and transcendent sound. Comprised of Slovenian musicians Uros Borsic and Todd Krasovetz, this Arizona-based duo employs their music as a vessel to explore profound philosophical and scientific concepts. On their self-titled album, they showcase their gift for crafting haunting soundscapes and intricately composed pieces.
By seamlessly integrating organic instruments with electronic textures, Center Mass Universe achieves a perfect synthesis of human and technological influences. Their music bypasses logic, directly speaking to the human spirit and guiding listeners to higher planes of consciousness.
When asked to describe their creative process, they explain, 'We aim to transcend boundaries through musical portals, traversing multiple dimensions and spaces where time ceases to exist.'
Despite their unconventional style, Center Mass Universe's epic instrumentals remain instantly accessible. With memorable guitar hooks, evocative soundscapes, and constantly shifting time signatures, the band is establishing itself as one of the most thrilling and unpredictable acts in instrumental rock.
CENTER MASS & Center Mass Universe music creation process
Center Mass & the Center Mass Universe seamlessly blends moody post-rock, trance, and electronica, creating a distinctive and transcendent sound. Comprised of Slovenian musicians Uros Borsic and TKrasovetz, this Arizona-based duo employs their music as a vessel to explore profound philosophical and scientific concepts. On their self-titled album, they showcase their gift for crafting soundscapes
By seamlessly integrating organic instruments with electronic textures, Center Mass Universe achieves a perfect synthesis of human and technological influences. Their music bypasses logic, directly speaking to the human spirit and guiding listeners to higher planes of consciousness.
When asked to describe their creative process, they explain, 'We aim to transcend boundaries through musical portals, traversing multiple dimensions and spaces where time ceases to exist.'
Despite their unconventional style, Center Mass Universe's epic instrumentals remain instantly accessible. With memorable guitar hooks, evocative soundscapes, and constantly shifting time signatures, the band is establishing itself as one of the most thrilling and unpredictable acts in instrumental rock.
“Time Irrelevant” explores both the simple and complex nature of how music is created. This exploration is achieved through multi - layered instruments, properties, timing & engineering, in effort to create musical symmetry, composition and movement.
This song is designed to transcend the human spirit to the 4th dimension and beyond. As musicians Time Irrelevant is very meaningful as when CMU music is being created we enjoy every moment so much, that time itself becomes absolutely irrelevant, and in turn, time as we know it, disappears.
“Time Irrelevant” is produced and engineered by Uros Borsic and T Krasovetz and is the 4th song produced on the soon to be released album Center Mass Universe.
There is no theory of time in physics, as time is defined as “the awareness of a 3 Dimensional space which contains integrating entities”. This is the concept from which science has to build all other elucidations of time.
The music represents the foundational definition for the concept of the absence of time that exists when creating musical scores and songs. Since the generalized assessment of what time is has to be equated with consciousness & existence, we look to create beyond with musical portals, multi- dimensions and space, where “time” as we know as humans does not exist.
PRESS RELEASE, SONG & ALBUM REVIEWS & Q&A FROM THE BAND
SONG REVIEWS & Q & A
Butterfly Nebula – Center Mass (Song reviewed by Dave Franklin)
By
Dave Franklin
-
September 4, 2023
I love it when bands show you a new side to their sound. I might be relatively new to the work of the Slovenian duo Center Mass Universe, but I thought I already had a good sense of what their music was all about. They tend to blend progressive rock ambience with cavernous post-rock sounds and intricate technical playing with explosive metal urges. But, as songs such as Rogue Star proved, even within that broad musical landscape, there are still plenty of new inspirations and sonic paths to follow – as with all the best bands, it pays to expect the unexpected.
And that is the case here as Butterfly Nebula proves to be a wonderful change from their usual big, overdriven sound. We know that Center Mass Universe can play the understated card; even in their most dramatic songs, there has been no shortage of spacious lulls or sweet and subtle breakdowns. Here, those much more calming creativity and measured musical moods take the front seat.
For a large part, the song hangs on a pedal riff, an anchor point for a harmonic and hypnotic, repetitious round. Around it, the music cycles and circles like a sonic whirlpool, a wash of gentle and soothing sounds. And then, in the most brilliantly unexpected ways, that riff is transformed. Dance beats break out underneath where the exotic thump of tabla drums had once been, electronic vibes replace the more organic sounds, and the song itself emerges as a late-night chill-out for the downtown dance set, a blend of pulsing beats and shuffling synth grooves.
And that reminds you of what a dynamic force you face in Center Mass Universe. When you think that you have them pegged, when you think you understand the scope of what they do, they suddenly and gleefully throw you a sonic curveball to shatter your expectations. Comfort zones are not places that Center Mass Universe want anything to do with. And quite right too. I just wish more bands would be this brave.
2023 Press Release
Bob Smith
September 17, 2023
Center Mass Universe is an emerging international musical duo making their professional recording debut in 2023. The group is comprised of T Krasovetz and Uros Brosic. The pair connected virtually across international borders to create a new breed of epic genre-bending instrumental electronic rock.
Arizona-based T Krasovetz is a Native of San Diego,CA an internationally renowned visual artist who has created award-winning military art as well as NASA approved artwork for the 50th Anniversary of the Apollo 11 lunar mission. Uros Borsic is a multi-instrumentalist composer and producer from Slovenia. Fueled by Todd’s artistic vision and Uros’ classically trained virtuosity, they are on a mission to transcend the confines of modern music and take listeners on a unique sonic journey.
"We aim to transcend boundaries through musical portals, traversing multiple dimensions and spaces where time ceases to exist."
CENTER MASS
They dropped their debut single “Center Mass Universe” in June. That track introduced a cinematic instrumental vibe built on both organic and electronic elements. Since then, the prolific producers have released five more singles. With each new release, they continue to push beyond the boundaries of traditional song structure and style.
From the percussive post-rock/EDM experimentation of “Butterfly Nebula”, to the anthemic metal-infused prog-rock of tracks like “Galamatica” and “Time Irrelevant”, Center Mass creates otherworldly sonic soundscapes. Science and the cosmos play a big role in the group’s music, as heard on the cinematic sci-fi rocker “Rogue Star”.
“Running Water” is the group’s current single, available worldwide via all major streaming services. The track opens on a funky syncopated guitar riff. Soon a hypnotic rhythm takes shape, built on odd time signatures and unexpected tempo changes. Although we open on a jazzy vibe, as the track progresses the amps get louder and the song evolves into a hard-hitting art-rock instrumental jam, its fluid musical patterns inspired by the translucent attributes of water.
Check out Center Mass’ “Time Irrelevant” video below, and listen to all of Center Mass’ music on your favorite streaming service. You can also hear the song “Running Water ” on the Deep Dive : Pop & Rockplaylist, or listen on your favorite streaming service. We had the chance to chat with TKrasovetz and Uros. Check out their answers to our 7 questions below. Follow the links at the end of this article to connect with the band.
Center Mass Universe – Center Mass Universe (Song reviewed by Dave Franklin)
By
Dave Franklin
-
September 4, 2023
Appropriately enough, for a song that bears the band’s name, Center Mass Universe feels like a great summation of what the band does, the various forms and genres they explore and the broad spectrum of sound and creativity they can encompass in their songs.
If you check out some of their other songs, you will variously find slow-burning musical passages, moments of ambient grace, more beat-driven momentum, atmospheric interludes, and chilled dance vibes all present. Here, you see all those ideas at work simultaneously in the same song, but all somehow complement each other rather than fighting for their moment in the spotlight.
The slow, brooding intro is forged of acoustic guitars and twinkling pianos, cascading electric guitar subtleties and even the sound of mournful cellos underpinning everything, adding panache and pathos. And slowly, via a subtle and subdued connecting musical passage, the song pivots from a gentle acoustic wave into a rising digitally driven tide. Shuffling digital beats and beguiling electronica take over as the dominant force, turning what was a solid yet restrained sound into something bearly tethered, something that floats on the breeze, something drifting and delicate, odd and ornate, something unique, something that you feel too fragile to touch – to touch it would be to break it was.
This is, perhaps, one of Center Mass Universe’s least representative tracks when placed in their who musical canon, but at once, one that tells us so much about their creativity. It reminds us that they are not always that big heavy band, that they are at home in so many forms, from intricate acoustica to chilled alt-dance, from dream-state ambient music to rock music writ large.
I love it when I find new bands to explore, no matter what sort of music they make. But when you find a band this experimental, this brave, this willing to hop genres, to storm the barricades, to explore new pastures, it is an absolute pleasure. I would describe Center Mass Universe as a band that genuinely ripped up the rulebook, but I suspect they may just have been unaware that a rulebook even existed.
Check out these reviews of our music!!
Center Mass Universe Music Review “Time Irrelevant “- June 2023
“What was really unique to me (and what I loved) about your music, was that your tracks use typical “rock” instrumentation while working in a dance/instrumental trance arrangement. It’s so cool and unique - I can really see your music being used in possible sync opportunities, such as movies and video games and television shows. There is a huge market for this style of music. Overall, this is such a cool song! Honestly, it’s one of the best I have heard on here in a while. I love the rock-style of the instrumentation combined with dance and trance style of the arrangement. It worked really well!” - Kara Greskovic
— Professional Music Critique, Engineer & Producer - Nashville, TN
Center Mass Universe – Center Mass (Song reviewed by Dave Franklin)
By Dave Franklin
September 4, 2023
Appropriately enough, for a song that bears the band’s name, Center Mass and the Center Mass Universe feels like a great summation of what the band does, the various forms and genres they explore and the broad spectrum of sound and creativity they can encompass in their songs.
If you check out some of their other songs, you will variously find slow-burning musical passages, moments of ambient grace, more beat-driven momentum, atmospheric interludes, and chilled dance vibes all present. Here, you see all those ideas at work simultaneously in the same song, but all somehow complement each other rather than fighting for their moment in the spotlight.
The slow, brooding intro is forged of acoustic guitars and twinkling pianos, cascading electric guitar subtleties and even the sound of mournful cellos underpinning everything, adding panache and pathos. And slowly, via a subtle and subdued connecting musical passage, the song pivots from a gentle acoustic wave into a rising digitally driven tide. Shuffling digital beats and beguiling electronica take over as the dominant force, turning what was a solid yet restrained sound into something bearly tethered, something that floats on the breeze, something drifting and delicate, odd and ornate, something unique, something that you feel too fragile to touch – to touch it would be to break it was.
This is, perhaps, one of Center Mass Universe’s least representative tracks when placed in their who musical canon, but at once, one that tells us so much about their creativity. It reminds us that they are not always that big heavy band, that they are at home in so many forms, from intricate acoustica to chilled alt-dance, from dream-state ambient music to rock music writ large.
I love it when I find new bands to explore, no matter what sort of music they make. But when you find a band this experimental, this brave, this willing to hop genres, to storm the barricades, to explore new pastures, it is an absolute pleasure. I would describe Center Mass Universe as a band that genuinely ripped up the rulebook, but I suspect they may just have been unaware that a rulebook even existed.
More information at – https://centermassuniverse.com/home
Spotify -https://open.spotify.com/artist/1eLW5YCVTC1dO6FldG4Qxi?si=5lI4w39sSOC3YUdpLHfXgg
dancing-about-architecture.com/galamatica-center-mass-universe-reviewed-by-dave-franklin/
dancing-about-architecture.com/galamatica-center-mass-universe-reviewed-by-dave-franklin/
dancing-about-architecture.com/water-running-center-mass-universe-reviewed-by-dave-franklin/
dancing-about-architecture.com/rogue-star-center-mass-universe-reviewed-by-dave-franklin/
Galamatica – Center Mass (Song reviewed by Dave Franklin)
By
Dave Franklin
-
September 4, 2023
Most music labels and generic pigeon-holes are far too limited in their application. After all, can anyone sum up a band or a song in such a brief soundbite? And aren’t bands that try to conform to such a tag just wilfully clipping their own sonic wings? Yes, I would say that generic labels and the like are pointless and outdated modes, with the exception of one, Post-Rock.
Post-rock, or what I like to call “what rock did next”, works because it tells us that although music made under such a moniker will tick boxes with those who want their music hard, heavy and largely guitar-driven, it also suggests freedom and experimentation that only comes from relaxing the rules and removing some of the structures that seek to keep rock music conforming to what has gone before.
Center Mass Universe is a brilliant example of a band happy to label their music with such a name, and Galamatica is an excellent example of them at work. The great thing about the song is that it takes its time to get to where it is going, following a slow-burning build of cascading guitars and distant bass pulses, a ticking, minimal beat and atmospheric electronic washes as it meanders beautifully onwards. It is a full four and half minutes before things truly kick in, and then they explode in angular, coiled guitar riffs, industrial-strength bass growls and busy, skittering beats that push and punctuate the event.
From here, things ebb and flow between such crescendoes and more considered breakdowns, replacing the musical weight for sonic ornateness, building beguiling musical landscapes as they head for their final sonic destination.
Eight minutes, thirty-one seconds well spent. Very well spent, indeed.
Water Running – Center Mass (Song reviewed by Dave Franklin)
By
Dave Franklin
-
September 4, 2023
Although tracks such as Galamatica and Time Irrelevant, Center Mass Universe have proved that they have an exquisite mastery as proponents of the art of the long, beguiling intro, here they cut to the chase somewhat faster than usual. After just a minute, beats and electronic atmospherics emerge behind this buoyant, low-end riff. But it is still a while longer before a tumbling and angular bassline that seems to be offering up mathematical equations made music rather than laying down grooves steals the show.
As I have said before, one of the great things about post-rock is that the rules are there to be broken. It is a place where more ornate and progressive ventures seduce the conformity of the classic rock form, and the results, as we can see here, are fantastic. Without the usual regard for verse-chorus structure, the instruments are free to ebb and flow as they choose, building excellent dynamics of their own making.
Metallic muscle meets math-rock melodics; technical playing is softened through the use of ambient drift and atmospheric deliveries; time signatures become adventurous, and again, without lyrics to limit the imagination, the music seems to speak its mind – guitar riffs, bass pulses and back beats being the lingua franca here rather than words and images.
And what does it all mean? Well, anything you like. Obviously, with a title like Water Running, those two words convey some idea of what the players might be trying to convey: the meandering movement of the music, a strange blend of fast-flowing sonic currents within a more consistent, robust and relentless force, perhaps make specific suggestions to the listener but beyond that, whatever meaning you the listener finds in it, is for you to decide.
Metallers will recognise the tectonic musical forces at work here, but what keeps Center Mass Universe apart from being merely another metal band is how they weave such power into more poignant and even poetic forms. The perfect blend of muscle and melody, grandeur and grace, power and poignancy and none of the cliche that is normally prevalent in the realms of heavier music.
Fantastic!
Questions with the band TKrasovetz & Uros of Center Mass
Where are you from?
TKrasovetz: Arizona (Born in Frankfurt, Germany)
Uros Brosic : Slovenia
How long have you been making music?
Todd: I got my first acoustic guitar at the age of 16 and found a real sense of purpose when playing. Set taught, it was important for me to learn cover songs from 80s and 90’s rock bands but also found myself dabbling into the more classic guitar. Also being a highly skilled artist, I was able to understand the importance of foundation, function and creativity with this acumen and apply it to music.
Uros: I used to sing in a primary school choir for 7 years and then started to play guitar as a teenager. In 2005 I and my friends founded a band called LastDayHere which had success with several tours across Europe and Canada. I was a songwriter and co-producer for LastDayHere. In 2016 the band went into hibernation but the love and passion for music and music production stayed and grew. I graduated from EMI Institute Ljubljana, Slovenia (a brand of United POP) as a Music Producer in 2018. I started to freelance in songwriting, production, mixing and mastering after that. That’s how Master Todd found me and we started the Center Mass Universe project 🙂
Who are your biggest musical influences?
Todd: Rock music introduced me to the raw energy and rebellious spirit of artists like Led Zeppelin, The Rolling Stones, Pink Floyd and AC/DC in the 80’.s The 90’s came Sound Garden, Nirvana, NIN, Pearl Jam and the list goes on and on. The electrifying guitar solos, thumping bass lines, and powerful vocals resonated with my teenage angst and provided an outlet for my emotions.
On the other hand, classical music instilled in me a deep appreciation for the beauty and complexity of orchestral arrangements. Composers like Mozart, Bach, and Beethoven taught me how to listen carefully to melodies, harmonies, and the different instruments working together in perfect harmony. The symphonies and concertos became my sanctuary, offering a world of serenity and refined emotions.
Jazz, with its improvisation and syncopation, fascinated me with its ability to create spontaneous musical conversations. Legends like Miles Davis, John Coltrane, and Ella Fitzgerald exposed me to the art of improvisation, inspiring me to explore my own creativity and express myself freely through music. The rhythmic complexity and soulful melodies of jazz left a lasting impression on my musical style and widened my musical horizons.
Each of these genres has shaped me in unique ways, influencing my taste, playing style, and overall musical journey. The combination of rock’s energy, classical’s complexity, and jazz’s creativity has allowed me to experiment with various musical elements, blend different genres, and carve out my own musical identity and create the musical work behind of the band Center Mass and Center Mass Universe with the talented musician, composer and engineer, Uros Borsic.
Uros: In my childhood, I was pretty much listening to popular dance charts. Later as a teenager and self-taught guitarist, I was influenced by rock and metal music and I’ve been listening to bands such as AC/DC, Nirvana, Guns’n’Roses, Metallica, Pantera, Pearl Jam, Papa Roach, Creed, Tool, etc… and I was influenced by virtuoso guitarists as Joe Satriani, Steve Vai, John Petrucci, Eric Johnson, etc. Later I went into heavier genres and listened to bands such as Children of Bodom, Sepultura, In Flames, Soilwork, Killswitch Engage and many other metalcore and hardcore bands. As I expanded my musical horizons later I re-discovered electronic dance music (and many melodic subgenres) which is a great source of production magic and tricks. Besides that epic/film music and chill/ambient/healing music is my passion too. As long as the music has a melody and great production, I can be instantly hooked.
What is your greatest non-musical influence?
Todd: The modern philosopher Joseph Cambell. This is an absolute must read. The Hero With a Thousand Faces is the culmination of his findings, presenting “The Hero’s Journey.” It’s a universal arc of character development we all go through as humans and that we use to share our experiences with one another. This explains why we all tell stories in similar ways. The “Monomyth ideology is universal and a main driving arch for the music behind and central figure of the Center Mass Universe.
Uros: I think it’s my life itself. I didn’t have an easy path but music was always my medicine when the days back then were rough. I also love nature and nature sounds, especially the sea, woods and forests.
What inspired you to create this project, Center Mass?
Todd: The main inspiration was embedded as a personal mission to create fresh, new music that was captivating, original and multi-genre. I knew in my mind what type of music I wanted to create but the hard part was finding the right band member who understood the vision and direction. Man, I was so fortunate to have Uros. He was able to quickly grasp the over-shape of the music that needed to be created and was really able to take the work to a new level.
Uros: The main inspiration was Master Todd and his musical influences. I just turned his vision into an audible experience.
What are your plans for the future (musically)?
Todd: Uros and I (and possibly another artist) are already in the works on our second Studio album titled “Galamatica” which will be released in September of next year. So buckle up, it’s going to be quite a ride.
Uros: We’ll keep on working on what we love the most: we’ll keep making great music in undiscovered territories.
Is there anything else you would like to say?
Todd: Always work to challenge yourself mentally and physically and emotionally. Mind body, spirit (or soul) are intertwined and must be grown through a constant desire to want to educate and live to obtain a higher level of existence. Positive thoughts are imperative and will only create the energy needed to fulfill whatever goals you may desire.
Uros: Never give up, no matter how hard life becomes. There is always a solution. Don’t stay in a victim state.
