Center Mass & the Center Mass Universe (CMU) uses (on the Portlas & Entanglement LP's the “artistification” (an expansion of “Sonification” concepts. We combine the musical translation of scientific theory into emotion-driven sound design – to illustrate a single, evolving idea: human consciousness is already entangled with the cosmos.
CMUs third album, "Entanglement", completes a three-record arc (Center Mass Universe → Portals → Entanglement) that sonically charts (1) awakening to extra-dimensional reality, (2) traveling through those “portals,” and (3) realizing that separation itself is an illusion.
By fusing post-rock guitars, trance propulsion, cinematic EDM, and detailed spatial engineering, CMU collapse the perceived gap between organic and electronic, science and art, listener and universe, offering music that is equally suited for deep, solitary reflection and high-energy communal spaces such as clubs, esports arenas, and sci-fi cinema.
Why these concepts are supported
1. Conceptual Continuity: From CMU, Portals to Entanglement LPs
• Center Mass Universe (2023) : Ending dimensional shift in the Center Mass Universe saga and the final stage in music and compositon developement. This release opens up the “personal” movement towards other dimensions. and worlds.
• Portals (2024) framed reality as a threshold; songs opened “gateways” to other dimensions.
• Entanglement (2025) shifts the narrative: once through the portal, the traveler discovers instant connectivity across distance. Each track dramatizes quantum principles – coherence, decoherence, superposition, locality – as emotional states. Full triple LP Studio Relasze on 6/17/2026.
1. The one image in the album artwork. (Predator/prey birds locked in mirrored flight) visually reinforces the musical theme: dualities are reflections of one field, not opposites.
2. “Artistification” as Methodology
• CMU treat physics the way classical composers treated literature: as source texts for motif generation. Sonic decisions (time-signature shifts, mirrored guitar phrases, call-and-response synth lines) are guided by scientific metaphors (entangled photons, frame-of-reference changes, wave-function collapse).
• Layered stems function like subatomic particles: they coexist in superposition (ambient pads, trance arpeggios, downtuned riffs) until the listener’s attention “measures” them, causing a personal collapse into meaning.
3. Organic + Electronic = One Continuum
• Live drums, tactile string harmonics, and expressive bends supply the “earth sound.”
• Side-chained synths, binaural/Atmos beds, and granular textures supply the “cosmic texture.”
• Instead of treating these as binary poles, CMU interlock them: dual-guitar threads are mapped to stereo fields the way LFO-modulated pads are mapped to Z-depth, making hardware amps and DAW automation parts of a single ecosystem.
4. Structural Mirror-Work in “Entanglement” (Track: “Entanglement”)
• Opening: paired clean-guitar motifs = photons sharing spin.
• Lift: polyrhythms in 7/8 over a 4/4 trance grid = two observers in different inertial frames.
• Drop: metal riff meets euphoric synth lead = matter/energy duality.
• Breakdown: piano asks; atmospheres answer = nonlocal dialog.
• Finale: hook unifies earlier fragments, dramatizing wave-function collapse into shared experience.
5. Production as Spatial Philosophy
• Wide stereo “portals,” dynamic swells, and mid-song dimensional flips simulate wormholes.
• Big, club-ready low end + shimmering top end = music that can occupy both dance floors and planetarium domes.
• Binaural and Dolby Atmos versions extend the entanglement metaphor by letting sound objects exist “everywhere at once” until localized by headphones or speakers.
6. Accessibility + Depth = Broad Cultural Reach
• Hook-centric writing allows casual listeners (gamers, festival crowds) to connect instantly.
• Sub-textual complexity invites audiophiles and academics to dissect the architecture.
• Sync potential (Halo, Starcraft, trailers) proves the music’s flexibility: it can underscore either personal transcendence or competitive adrenaline without losing thematic integrity.
7. Community & Future Trajectory
• By aligning release strategy with gaming communities and sci-fi storytelling, CMU build a real-world network that mirrors the album’s message: fans far apart share a common emotional state while the track plays.
• Entanglement is positioned not as an endpoint but a revelation: once listeners internalize universal connectivity, future CMU projects can move from “how we’re connected” to “what we build together.”
Center Mass & the Center Mass Universe craft music as experiential physics. Through meticulously engineered blends of post-rock, trance, and electronica, they convert quantum theory into visceral, danceable narratives. Entanglement, their third LP, crystallizes this mission: to prove, in sound, that distance is illusion and that every riff, synth pulse, and heartbeat is part of one resonant field.
Who is Behind Center Mass and the Center Mass Universe?
CENTER MASS is a North American and Slovenian band consisting of 2 members, T. Krasovetz and Uros Brosic. Both have been creating, producing and involved with music mixing & mastering engineering to create a combined Alternative / Ambient / Trance movement in their most recent work.
How Does Center Mass Connect With The Listener and Transform the Human Spirit?
Center Mass and the Center Mass Universe's "space dance and rock" genre is an innovative and uniquely captivating blend that combines elements of both dance music and rock with a cosmic twist. Here's what sets their style apart:
1. Futuristic Sounds - Space dance and rock rely heavily on synthesizers and futuristic sound effects to evoke the vastness and mystery of outer space. These sounds create an atmospheric texture that transports listeners to another realm.
2. Danceable Rhythms - The dance component is characterized by upbeat, pulsating rhythms that encourage movement and energy. These rhythms often feature electronic beats intertwined with live drums.
3. Stellar Rock Energy- The rock influence brings a raw, energetic edge through distorted guitar riffs, powerful drumming, and intense vocals. This adds a layer of intensity and drive to the music.
4. Expansive Themes - ,Their music often explores themes of exploration, adventure, and the unknown, reflecting the band's fascination with the cosmos and science fiction.
5. Melodic Hooks - Despite the complex arrangements, they incorporate catchy melodies and hooks that stick with the listener, ensuring the music is approachable and memorable.
6. Experimental Edge- They aren't afraid to experiment with unconventional sounds and structures, pushing the boundaries of what’s traditionally expected in both dance and rock genres.
7. Harmonious Balance - A key aspect of their style is the seamless integration of dance and rock elements, achieving a balanced sound that neither overpowers nor oversimplifies the other.
Center Mass and the Center Mass Universe's space dance and rock genre offers an exhilarating musical journey that combines the infectious nature of dance music with the intensity and emotional depth of rock, all wrapped in a cosmic, otherworldly package.
Despite their unconventional style, Center Mass Universe's epic instrumentals remain instantly accessible. With memorable guitar hooks, evocative soundscapes, and constantly shifting time signatures, the band is establishing itself as one of the most thrilling and unpredictable acts in instrumental rock.
Fans More Popular Songs-
“Time Irrelevant” explores both the simple and complex nature of how music is created. This exploration is achieved through multi - layered instruments, properties, timing & engineering, in effort to create musical symmetry, composition and movement.
This song is designed to transcend the human spirit to the 4th dimension and beyond. As musicians Time Irrelevant is very meaningful as when CMU music is being created we enjoy every moment so much, that time itself becomes absolutely irrelevant, and in turn, time as we know it, disappears.
“Time Irrelevant” is produced and engineered by Uros Borsic and T Krasovetz and is the 4th song produced on the soon to be released album Center Mass Universe.
There is no theory of time in physics, as time is defined as “the awareness of a 3 Dimensional space which contains integrating entities”. This is the concept from which science has to build all other elucidations of time.
The music represents the foundational definition for the concept of the absence of time that exists when creating musical scores and songs. Since the generalized assessment of what time is has to be equated with consciousness & existence, we look to create beyond with musical portals, multi- dimensions and space, where “time” as we know as humans does not exist.
Questions with the band TKrasovetz & Uros of Center Mass
Where are you from?
TKrasovetz: Arizona (Born in Frankfurt, Germany)
Uros Brosic : Slovenia
How long have you been making music?
Todd: I got my first acoustic guitar at the age of 16 and found a real sense of purpose when playing. Set taught, it was important for me to learn cover songs from 80s and 90’s rock bands but also found myself dabbling into the more classic guitar. Also being a highly skilled artist, I was able to understand the importance of foundation, function and creativity with this acumen and apply it to music.
Uros: I used to sing in a primary school choir for 7 years and then started to play guitar as a teenager. In 2005 I and my friends founded a band called LastDayHere which had success with several tours across Europe and Canada. I was a songwriter and co-producer for LastDayHere. In 2016 the band went into hibernation but the love and passion for music and music production stayed and grew. I graduated from EMI Institute Ljubljana, Slovenia (a brand of United POP) as a Music Producer in 2018. I started to freelance in songwriting, production, mixing and mastering after that. That’s how Master Todd found me and we started the Center Mass Universe project 🙂
Who are your biggest musical influences?
Todd: Rock music introduced me to the raw energy and rebellious spirit of artists like Led Zeppelin, The Rolling Stones, Pink Floyd and AC/DC in the 80’.s The 90’s came Sound Garden, Nirvana, NIN, Pearl Jam and the list goes on and on. The electrifying guitar solos, thumping bass lines, and powerful vocals resonated with my teenage angst and provided an outlet for my emotions.
On the other hand, classical music instilled in me a deep appreciation for the beauty and complexity of orchestral arrangements. Composers like Mozart, Bach, and Beethoven taught me how to listen carefully to melodies, harmonies, and the different instruments working together in perfect harmony. The symphonies and concertos became my sanctuary, offering a world of serenity and refined emotions.
Jazz, with its improvisation and syncopation, fascinated me with its ability to create spontaneous musical conversations. Legends like Miles Davis, John Coltrane, and Ella Fitzgerald exposed me to the art of improvisation, inspiring me to explore my own creativity and express myself freely through music. The rhythmic complexity and soulful melodies of jazz left a lasting impression on my musical style and widened my musical horizons.
Each of these genres has shaped me in unique ways, influencing my taste, playing style, and overall musical journey. The combination of rock’s energy, classical’s complexity, and jazz’s creativity has allowed me to experiment with various musical elements, blend different genres, and carve out my own musical identity and create the musical work behind of the band Center Mass and Center Mass Universe with the talented musician, composer and engineer, Uros Borsic.
Uros: In my childhood, I was pretty much listening to popular dance charts. Later as a teenager and self-taught guitarist, I was influenced by rock and metal music and I’ve been listening to bands such as AC/DC, Nirvana, Guns’n’Roses, Metallica, Pantera, Pearl Jam, Papa Roach, Creed, Tool, etc… and I was influenced by virtuoso guitarists as Joe Satriani, Steve Vai, John Petrucci, Eric Johnson, etc. Later I went into heavier genres and listened to bands such as Children of Bodom, Sepultura, In Flames, Soilwork, Killswitch Engage and many other metalcore and hardcore bands. As I expanded my musical horizons later I re-discovered electronic dance music (and many melodic subgenres) which is a great source of production magic and tricks. Besides that epic/film music and chill/ambient/healing music is my passion too. As long as the music has a melody and great production, I can be instantly hooked.
What is your greatest non-musical influence?
Todd: The modern philosopher Joseph Cambell. This is an absolute must read. The Hero With a Thousand Faces is the culmination of his findings, presenting “The Hero’s Journey.” It’s a universal arc of character development we all go through as humans and that we use to share our experiences with one another. This explains why we all tell stories in similar ways. The “Monomyth ideology is universal and a main driving arch for the music behind and central figure of the Center Mass Universe.
Uros: I think it’s my life itself. I didn’t have an easy path but music was always my medicine when the days back then were rough. I also love nature and nature sounds, especially the sea, woods and forests.
What inspired you to create this project, Center Mass?
Todd: The main inspiration was embedded as a personal mission to create fresh, new music that was captivating, original and multi-genre. I knew in my mind what type of music I wanted to create but the hard part was finding the right band member who understood the vision and direction. Man, I was so fortunate to have Uros. He was able to quickly grasp the over-shape of the music that needed to be created and was really able to take the work to a new level.
Uros: The main inspiration was Master Todd and his musical influences. I just turned his vision into an audible experience.
What are your plans for the future (musically)?
Todd: Uros and I (and possibly another artist) are already in the works on our second Studio album titled “Galamatica” which will be released in September of next year. So buckle up, it’s going to be quite a ride.
Uros: We’ll keep on working on what we love the most: we’ll keep making great music in undiscovered territories.
Is there anything else you would like to say?
Todd: Always work to challenge yourself mentally and physically and emotionally. Mind body, spirit (or soul) are intertwined and must be grown through a constant desire to want to educate and live to obtain a higher level of existence. Positive thoughts are imperative and will only create the energy needed to fulfill whatever goals you may desire.
Uros: Never give up, no matter how hard life becomes. There is always a solution. Don’t stay in a victim state.